Report Round Table Meeting 2015. Helsinki March 21, 2012 it’s probably a lot easier https://writemypaper4me.org/ than you might think to get recognition as the teaching superstar you are
THE OTHER EYE Germany versus Norway: interchanging theatrical strategies
Germany and Norway are countries with a long common history on many levels. If we look at these two countries’ history and traditions of theatre: What are the interactions, the common fields and differences? What are the roles of the director, actor and playwright in the aesthetically process? How does the education systems affect the practice and the intellectual discourse? And how do the roles and responsibilities of the critics, theatre workers and media concerning public debate on theatre differ in these countries?
Through a series of four seminars the relationship between German and Norwegian contemporary theatre has been analysed. The seminars offered an opportunity for a number of Norwegian and German theatre practitioners and scholars to delve deeper into this intercultural contemporary theatre discourse, taking place at four different locations and featuring a range of collaborators. This book is a collection of essays highlighting the project’s main topics through the themes: Director’s theatre, methods for acting, education and discourse.
Contributors: Heiner Goebbels, Thomas Irmer, Therese Bjørneboe, Tore Vagn Lid, Christel Weiler, Siren Leirvåg, Ragnhild Gjefsen, Fredrik Hannestad, Anne Holtan.
Editors: Elisabeth Leinslie and Anette Therese Pettersen
You can buy the book at PAHN, Adlibris.com or Tronsmobookstore in Oslo.
Price NOK 198,-
Members’ price NOK 100,-
Some Enicpa activities occupy more time than members can spend: the internal communication, presentations of the network and the preparation of the round table meetings. In these cases an intern – hosted by a member institution – can be of help. Maybe the member institution hosts an intern anyway and him or her can be involved in Enicpa network task easily. It would ease the work to prepare a meeting or presentation and could bring some fresh ideas for the internal and external communication of the network. To encourage members – especially those who organize or co-organize the round table meeting – to make use of this support, Enicpa provides a co-financing.
The board decides on application. We can cover 6 months (200 € co-financing) for 2015. (The idea was taken from on-the-move who worked like this with the office and member institutions.)
This publication focuses on the performing arts in Flanders for young audiences. It contains information on the most important producers, a series of pictures of interesting projects with international potential, an overview of recent artistic developments, and a sketch that gives insight into the landscape’s organisation and the way in which performing arts for young audiences are made and appreciated. The book is intended thereby to provide the reader with an overview of recent developments in this unique field, which, according to Jeremy Boomer Stacey (IPAY), might well be ‘the best kept secret in international performing arts for young audiences’.
Free pdf download: http://vti.be/en/over-vti/publicaties/perspective-young-audiences
ENICPA applied for the Culture Sub-programme Networks within Creative Europe.
You can download the documents of the project in the following links:
Arts Flanders aims to become the international point of reference for information about the Arts and Cultural Heritage in the Flanders region and about artists from Flanders who are active abroad. There are specific subsections, one of which is devoted to the news about the Flemish performing arts with international relevance: http://artsflanders.be/performance
Below you can download the documents from the Seville meeting presentations.
ROUND TABLE – ORAL HISTORY “INTERVIEW THE PAST”
Interview the past – Luciano Brogi
IALS
(Download the presentation: )
PRESENTATIONS FOCUS ON DIGITALIZATION PROJECTS AND ORAL HISTORY
ELEKTRA, the Digital Archive of the Performing Arts of Andalusia – Catalina González
Centro de Documentación de las Artes Escénicas de Andalucía / Documentation Centre of
Performing Arts of Andalusia
(Download complete presentation: )
(Download technical details: )
ETE – Electronic Theatre Encyclopedia – Dorota Buchwald and Monika Krawul
Theatre Institute in Warsaw
(Download the presentation: )
ROUND TABLE – DIGITALIZATION PROJECTS – DO’S and DON’TS
Digitalization: past, present and future – Martijn van der Kaaij
Summary of keynote speech, with references to slides
(Download the presentation: )
Slides
(Download the presentation: )
FOCUS ON DIGITALIZATION AND ORAL HISTORY
VLAD, Vocabulary for Living Arts Description – Bart Magnus
VTi (Vlaams Theater Instituut)
(Download the presentation: )
Challenges of collecting circus history – Johanna Mäkelä
CircusInfo Finland
(Download the presentation: )
ROUND TABLE – ENICPA PROJECTS
Evaluation DanceVideoNavigator – Bianca de Waal and Luciano Brogi
ENICPA
(Download the presentation: )
European Video Dance Heritage – Bianca de Waal
ENICPA
(Download the presentation: )
Unpack the Arts (2012-2014)
Unpack the Arts was a European project that provides residencies for cultural journalists in the context of twelve major festivals programming contemporary circus.
Unpack the Arts is a European project funded with support of the Culture Programme of the European Union. The project leader was Circuscentrum (Flemish information center for circus in Gent). The project partners were nine European circus organisations, among them CircusInfo Finland.
The goal of the project was to facilitate the circulation of knowledge and experience, to develop the critical discourses of its participants, and to further the role of the media within the circus arts and contemporary society. Cultural journalists, critics and chief editors from any form of media were asked to apply for the project recidences in four open calls. The 12 recidensies have taken place on circus festivals from August 2012 to February 2014. Altogether 120 journalists from all over Europe will participate in the project.
At the end of their residency, each participant in the Unpack the Arts project deliverd an article of 2,000 words. These articles were published both on the native language and as an English translation on the Unpack The Arts site.
CircusInfo Finland hosted the Unpack the Arts Helsinki residency in context of Cirko contemporary circus festival in May 2013.
For more information please visit: https://www.circuscentrum.be/en/2015/03/22/unpack-the-arts/
Theatre Architecture in Central Europe (TACE) was a three years long project, co-financed by European Union under the Culture 2000 program. The main aim of the project was to present existing knowledge and information about the development of theatre architecture as a specific phenomenon of the European cultural heritage. Within the project, several types of activities had been implemented in such a manner, that the outputs would address a broad target group and would appeal to scholars and the general public alike. The project was prepared by the Art and Theatre Institute (ATI) and was led by The National Theatre Prague (Národní divadlo Praha) with partner institutions as Theatre Institute Bratislava, Hungarian Theatre Institute and Museum, Theatre Museum in Ljubljana and Theatre Institute in Warsaw. The project was launched in 2008 and continued until January of 2011. After its termination, the project was transferred under management of IDU for the phase of sustainability. In this period, the project became opened and cooperation was offered to other European institutions with an ambition to cover as large area as possible. In this regard, the project has been renamed and further on is promoted under the name EUROPEAN THEATRE ARCHITECTURE – EUTA.
Czech Cultural and Creative Industries Mapping (2011-2015)
In March 2011, Arts Institute launched a follow-up project – Czech Cultural and Creative Industries Mapping (2011-2015). The aim of the project was to collect robust data on conditions and economic performance of CCI in the Czech Republic, and subsequently carry out a detailed analysis of the acquired data. The project included a comparative study of the situation in the Czech Republic with those of other EU member states already engaged in a similar research. The principal output of the project will be a CCI mapping document presenting all findings of this five-year project (March 2011- December 2015). On the basis of the mapping document the project will formulate a set of policy recommendations of strategic importance. These are expected to contribute to a better organization and more effective distribution of public support for the arts and culture on the national, regional and local levels, and to a more efficient exploitation of the social and economic potential of CCI in the country.
Creativity and Innovation in Cities and Regions of the Czech Republic (2011)
British Council hosted (with a number of partners, including Arts Institute) the conference Creativity and Innovation in Cities and Regions of the Czech Republic. The conference offered a unique opportunity to national, regional and local decision makers to explore how they can drive economic prosperity and social inclusion in their cities and regions by providing conditions and support to the CCI sector. Through presentations by leading Czech and international experts, the conference drew on case studies and good practice examples from creative and successful cities in the Czech Republic and elsewhere in Europe.
Conference proceedings can be accessed here
Forum for Creative Europe (2009)
Arts Institute significantly contributed to the preparation of a conference Forum for Creative Europe, organized by the Czech Ministry of Culture within the Czech EU Presidency. The main objective of the conference, which took place on 26 and 27 March 2009 in the Municipal Library in Prague, was to prove that arts and culture contribute significantly to social and economic prosperity.
Conference proceedings can be accessed here