German Dance Association

September 29th, 2021 by

German Dance Association

The German Dance Association (in German Dachverband Tanz Deutschland, abbreviation DTD) has been working as a nationwide platform for artistic dance in Germany since 2006.

The Association functions as a federation of the outstanding associations and institutions for artistic dance in Germany – overarching aesthetic differences, different modes of production and specific professional fields in dance.

The association develops position papers and concepts for the promotion of dance in Germany, it realizes campaigns and initiatives and implements them in its projects. In recent years, the association Dachverband Tanz Deutschland has achieved a great deal to strengthen the perception of dance by cultural policy makers at the federal, state, and local levels. Federal funding programs have been strengthened, newly initiated and implemented by Dachverband Tanz Deutschland. The networking of the dance scene through various discussion formats and projects has become more intensive, formats and platforms for information and regular professional exchange have been developed. Besides Dachverband Tanz Deutschland has been most successful in promoting artistic dance, for freelance dancers and, with perspective for the future, for ensembles at municipal and state theaters. In other fields of work, the Dachverband Tanz Deutschland accompanies the dance scene: The association also supports the association of German dance archives in their continuous cooperation. Central questions of dance pedagogy are also intensively discussed with our members.

German Dance Association

Mariannenplatz 2
10997 Berlin
Tel: +49 (0)30 / 37 44 33 92


Themes: cultural policy, international networks, development and promotion of dance culture and artists, funding, information, support of dance archives

The “Centre de documentación de las artes escénicas de Andalucía” is now: “Centro de investigación y recursos de las artes escénicas de Andalucía”

January 14th, 2020 by

Our website is: and general email address:

The other contacts details remains the same:

Invitation: Round Table Meeting and General Assembly 2019

September 20th, 2019 by

Dear members and guests of ENICPA,

We cordially invite you to the annual round table meeting of the European Network of Information Centres for the Performing Arts. The Art and Theatre Institute in Prague will be our host. The meeting will take place on 21-22 October 2019.

Once a year ENICPA’s members exchange information about their work. They present current projects, report on their work and the situation in their institutions. What are the current movements in the performing arts? What remarkable artistic projects are there in your own country? What are cultural-political developments that affect the arts and information centres? Which EU-projects do the institutions participate in?

In addition to the general presentations, there is usually a thematic focus. This year—not only as regards to the Fridays for Future movement—we put sustainability on the agenda.

How do the information centres deal with this issue? How do the artists act?

Already in 2011, Julie’s Bicycle published the Green Mobility Guide with essential recommendations for climate-conscious and sustainable action in the performing arts.

How much of this has become part of our practice?

What remains only beautiful thoughts on paper?

We want to discuss what role we are playing in this issue with urgent need for action.

As in 2018 in Warsaw, we are setting a major focus with an international conference. Once again, on the conference THEATRE AND FREEDOM: Paradigm Shift(s) in the Independent Theatre Culture in Europe after 1989 we are asking — together with the Arts and Theatre Institute — about the changes in theatre landscapes. International experts will be our guests.

The ENICPA round table meeting and the conference aim to give members and guests new impulses for their work, facilitate exchange of experience and new contacts. Off the beaten track and in dialogue with colleagues, own projects can be reflected upon. And it is not unusual that cooperation and joint projects between institutions develop.

The round table meeting and the international conference are the heart of the network and provide a trustworthy basis for communication throughout the year. Take advantage of this unique opportunity!

If your institution works in the field of information and documentation of the performing arts, you are most welcome to be our guest.

Roughly 20 theatre institutes and dance information centres all over Europe are members of the ENICPA network. It is growing and open for new members!

Attached you find the complete programme. Kindly register by 05 October 2019 with the following Google doc: and send us the title and brief description of your presentations by 05 October 2019.

We are looking forward to meeting you!

On behalf of the ENICPA Board,

Michael Freundt
President, ENICPA

See also: Round Table Meeting programme and other information

Warsaw 2018 – Practical Info

September 13th, 2018 by

See also: Round Table Meeting and General Assembly 2018 – Programme

Please fill in the application form until September 17th:

We need this information in time especially for booking the hotel for friendly prices.


The organisers have pre-booked rooms in Hotel Reytan, 20 minutes by walk from ZRTI (

The prices are:

  • per single room on weekend it’s 179 PLN (cca 42 EUR) per room per day
  • per single room on weekday it’s 359 PLN (cca 84 EUR) per room per day
  • Hotel requires to fill in the card payment form until 20th of September


Please find all the locations on the Google Map or in this document (PDF).

  • Meeting venue on 11/10 and 13/10: Theatre Institute | Jazdów 1
  • Meeting venue on 12/10: Zachęta – National Gallery of Art, | plac Stanisława Małachowskiego 3
  • Hotel Reytan | Tadeusza Rejtana 6 | Reception: +48 22 201 64 00 |
  • Powszechny Theatre | Zamoyskiego 20


  • Hotel Reytan – Theatre Institute: Walking distance 25 minutes
  • Hotel Reytan – Zachęta: BUS 222, bus stop Dworkowa 02 to Uniwersytet 02
  • Airport – Theatre Institute: BUS 188, Lotnisko Chopina-Przyloty 02 to Pl.Na Rozdrożu 05
  • Airport – Hotel Reytan: BUS 188 & BUS 167; Lotnisko Chopina-Przyloty 02 – change at Pomnik Lotnika 03 (same bus stop) – Rakowiecka 03
  • Central Railway Station – Hotel Reytan: BUS 501 or 519 or 522, Dw.Centralny 27 to Pl.Unii Lubelskiej 07
  • Central Railway Station – Theatre Institute: BUS 525, Dw.Centralny 26 to Pl.Na Rozdrożu 05
  • Theatre Institute – Powszechny Theatre: BUS 166, Pl.Na Rozdrożu 02 to Al.Zieleniecka 02

Public transport – website

You can buy tickets in sale points ‘kiosk’ or in ticket machines at bus stops and on the most of vehicles

Ticket fares:

  • 20 minute ticket 3,40 PLN (~0.80 euro)
  • 75 minute ticket 4,40 PLN (~1 euro)
  • 90 minute ticket 7,00 PLN (~1.6 euro)
  • 1-day ticket 15,00 PLN (~3.50 euro)
  • 3-day ticket 36,00 PLN (~8.30 euro) Public transport – website



Contact information

  • Michael Freundt (president of ENICPA) | 0049 163 2616 343
  • Edyta Zielnik (ZRTI, coordinator of the meeting) | 0048 506 730 402
  • Krystyna Mogilnicka (ZRTI, coordinator of the meeting) | 0048 698 517 579
  • Maria Bogdaniuk (ZRTI, coordinator of the meeting) | 0048 697 937 274

Lola Vargas-Zúñiga, member of the Spanish Academy of the Performing Arts

November 21st, 2016 by


The Director of the Centro de Documentación de las Artes Escénicas de Andalucía, Lola Vargas-Zuñiga, appointed as member of the Academia de las Artes Escénicas de Andalucía (Spanish Academy of the Performing Arts).

Are you source weblink using technology to positively impact k-12 student learning

Activities in 2015:

February 26th, 2016 by

Report Round Table Meeting 2015. Helsinki March 21, 2012 it’s probably a lot easier than you might think to get recognition as the teaching superstar you are

PUBLICATION: German and Norwegian theatre.

November 2nd, 2015 by

THE OTHER EYE Germany versus Norway: interchanging theatrical strategies

Germany and Norway are countries with a long common history on many levels. If we look at these two countries’ history and traditions of theatre: What are the interactions, the common fields and differences? What are the roles of the director, actor and playwright in the aesthetically process? How does the education systems affect the practice and the intellectual discourse? And how do the roles and responsibilities of the critics, theatre workers and media concerning public debate on theatre differ in these countries?

Through a series of four seminars the relationship between German and Norwegian contemporary theatre has been analysed. The seminars offered an opportunity for a number of Norwegian and German theatre practitioners and scholars to delve deeper into this intercultural contemporary theatre discourse, taking place at four different locations and featuring a range of collaborators. This book is a collection of essays highlighting the project’s main topics through the themes: Director’s theatre, methods for acting, education and discourse.

Contributors: Heiner Goebbels, Thomas Irmer, Therese Bjørneboe, Tore Vagn Lid, Christel Weiler, Siren Leirvåg, Ragnhild Gjefsen, Fredrik Hannestad, Anne Holtan.

Editors: Elisabeth Leinslie and Anette Therese Pettersen

You can buy the book at PAHN, or Tronsmobookstore in Oslo.

Price NOK 198,-
Members’ price NOK 100,-


Seville 2013 – presentations

December 24th, 2013 by

Below you can download the documents from the Seville meeting presentations.



Interview the past – Luciano Brogi

(Download the presentation: [download id=”72″])



ELEKTRA, the Digital Archive of the Performing Arts of Andalusia – Catalina González
Centro de Documentación de las Artes Escénicas de Andalucía / Documentation Centre of
Performing Arts of Andalusia

(Download complete presentation: [download id=”76″])
(Download technical details: [download id=”70″])


ETE – Electronic Theatre Encyclopedia – Dorota Buchwald and Monika Krawul
Theatre Institute in Warsaw

(Download the presentation: [download id=”69″])



Digitalization: past, present and future – Martijn van der Kaaij
Summary of keynote speech, with references to slides

(Download the presentation: [download id=”74″])


(Download the presentation: [download id=”73″])



VLAD, Vocabulary for Living Arts Description – Bart Magnus
VTi (Vlaams Theater Instituut)

(Download the presentation: [download id=”77″])


Challenges of collecting circus history – Johanna Mäkelä
CircusInfo Finland

(Download the presentation: [download id=”68″])



Evaluation DanceVideoNavigator – Bianca de Waal and Luciano Brogi

(Download the presentation: [download id=”75″])


European Video Dance Heritage – Bianca de Waal

(Download the presentation: [download id=”71″])



Unpack the Arts (2012–2014)

October 22nd, 2013 by
Unpack the Arts (2012-2014)

Unpack the Arts was a European project that provides residencies for cultural journalists in the context of twelve major festivals programming contemporary circus.

Unpack the Arts is a European project funded with support of the Culture Programme of the European Union. The project leader was Circuscentrum (Flemish information center for circus in Gent). The project partners were nine European circus organisations, among them CircusInfo Finland.

The goal of the project was to facilitate the circulation of knowledge and experience, to develop the critical discourses of its participants, and to further the role of the media within the circus arts and contemporary society. Cultural journalists, critics and chief editors from any form of media were asked to apply for the project recidences in four open calls. The 12 recidensies have taken place on circus festivals from August 2012 to February 2014. Altogether 120 journalists from all over Europe will participate in the project.

At the end of their residency, each participant in the Unpack the Arts project deliverd an article of 2,000 words. These articles were published both on the native language and as an English translation on the Unpack The Arts site.

CircusInfo Finland hosted the Unpack the Arts Helsinki residency in context of Cirko contemporary circus festival in May 2013.

For more information please visit:

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